Art stations fundation - by Grażyna Kulczyk


21.06.2014 - 28.06.2014
Słodownia +1&+2

admission free

SOLO PROJEKT CAMP Old Brewery New Dance at Malta Festival 2014

coordination: 
Barbara Gwóźdź
Agata Siniarska
Magdalena Ptasznik
realisation:
Kacper Czyczyło
Łukasz Kędzierski

8 years

23 residents

7 artistic coaches

1 curator

6 days

2 Słodownia levels

Installation

Open morning classes

Meetings, discussions, choreographic reflections

Performative interventions

 

 

SOLO PROJEKT CAMP is a first ever reunion - at one time and space – of all artists of established in 2006 SOLO PROJECT  - the flagship Art Stations Foundation by Grażyna Kulczyk ’s residency program. Being the first of a kind program for young choreographers in Poland, it succeeded to change the guard in Polish dance  introducing to the scene the whole new generation of artists that a critic Witold Mrozek dubbed (after the project’s name) a “ SOLO GENERATION’. And just this year also Anna Królica made it a collective hero of  her published under the same title book.

Young choreographers for 6 days annex 2 levels of Stay Browar’s Słodownia building and turn it into the space of intense meetings and interactions (on the +2 level) as well as exhibition/ installation (on the +1). SOLO PROJEKT CAMP mirrors diversity  of  the young Polish makers’ choreographic personalities and ideas, invites also to special anniversary performative games and interventions spread over the whole Stary Browar complex. Projects offers also a special treat with open morning classes within which artists introduce audience and each other to their own practice and provides an opportunity to reflect on individual approaches towards choreography. Reflection is being provoked and supported on essential level by German choreographer and philosopher Petra Sabisch that accompanies the project through the week with her coaching „Forum Extended Choreography: Contemporary Practices“. Introducing artists to  her analytic tools, she will help artists to create frames for their explorations of choreographic practices allowing them (and with final open panel as well the 

instytut muzyki i tanca2