Ramona Nagabczyńska (with creative input from the performers)
NEU!, Nisennenmondai, Ścianka, David Bowie
Izabela Chlewińska, Magdalena Jędra, Mariusz Raczyński
Ciało/Umysł Foundation, Burdąg Foundation, Komuna Warszawa
Taniec, czyli kultura alternatywna. Taniec, czyli moda. Taniec, czyli indywidualizm. Taniec, czyli grupa. Taniec, czyli nowa polityka ciała. Taniec, czyli broń. Taniec, czyli ekstaza. Taniec, czyli rytm. Taniec, czyli rytuał. Taniec, czyli nowy porządek. Taniec, czyli nowy chaos. Tańcz. Tańcz. Tańcz.
Ramona Nagabczyńska started her dance training at the National Ballet School of Warsaw after which she studied contemporary dance at the Hochschule fur Musik und Darstellende Kunst in Franfurt/Main and then at London Contemporary Dance School. After finishing her dance education she danced for Polish Dance Theatre (PL), Saju Hari (UK), Darkin Ensemble (UK), Tom Dale Company (UK), 30 Bird Productions (UK), Carrie Cracknell and Lucy Guerin (UK, Australia), Emma Martin (Ireland), David Wampach (France), Ula Sickle (Belgium/Canada), Marysia Stokłosa (Poland), Kaya Kołodziejczyk (Poland/Belgium), Good Girl Killer (Poland) and Clod Ensemble (UK) with whom she has been working since 2008. That year she also joined the international Universal Law of Impermanence (U/LOI) collective. Her first piece: “Man’s Best Friend” was created in 2009 in the frame of the Solo Projekt programme for young choreographers organized by art stations Foundation/stary Browar in Poznań. Her later pieces include video installation “Turao/Dziw” (2010), “New (Dis)Order” (2012) and her most recent piece “Akumulacja© Trisha Brown”, which has been produced by Komuna Warszawa as part of the RE//MIX cycle.
realized thanks to scholarship from Minstry of Culture and National Heritage
Dofinansowano ze środków Ministra Kultury i Dzedzictwa Narodowego