Art stations fundation - by Grażyna Kulczyk
20:00
Studio Słodownia +3
wykonanie
Jérémie Canabate i Marie-Caroline Hominal
oryginalny tekst
Marvin Victor (Dialogue des Morts) i MCH
scenografia i kostium
MCH
muzyka i reżyseria dźwięku
Clive Jenkins
muzyka dodatkowa
Jimmy Ohio - www.jimmyohio.com
światło
Jonathan O’Hear
realizacja
techniczna Victor Roy
management
Stéphane Noël i Yvan Barbafieri
produkcja
MadMoiselle MCH Association-Genf
koprpodukcja
Association pour la Danse Contemporaine - Genève i Théâtre Arsenic - Lausanne
spektakl powstał w ramach
rezydencji w ADC Genève, Tanzhaus NRW Düsseldorf, PACT Zollverein Essen i Tanzhaus Zürich
Słowo „BAT” to w języku angielskim nietoperz, ale tytuł spektaklu można odczytywać również jako skrót od: Bold Action Tool (narzędzie zuchwałych akcji), Bad As That (aż tak złe), blood-sucking BAT (krwiopijczy nietoperz), Beautiful Anonymous Tragedy (piękna anonimowa tragedia) czy Be Always There (zawsze tu bądź). Artystka bada w pracy różne formy anonimowości oraz procesy kamuflażu i transformacji. Balansując na wysokich obcasach, „pozbawiona” twarzy, staje się dobrze naoliwionym ciałem, szalonym, wirującym i nieokiełznanym. Na ring wchodzi bokser i rozpoczyna niemą rozmowę z niewidzialnymi ograniczeniami. W jednym narożniku metronomiczna precyzja sportowca przygotowującego się do walki; w drugim – ofiara ulegająca metamorfozom, poddawana uderzeniom, które tak naprawdę nigdy jej nie dosięgają. Bokser jest ucieleśnieniem intensywności, skuteczności, skupienia oraz siły, stanowi kontrapunkt dla fragmentaryczności i chaotyczności ofiary. Spektakl przypomina rozprzestrzeniający się jak błyskawica ruch, energię zmieniającą się w przemoc.
n BAT, MCH questions various processes of camouflage, transformation and anonymity. On stage, a boxer acts as a counter-point to herself: he embodies intensity, efficiency, focus and power whereas she is fragmented and chaotic.
BAT is a hard movement, our generation. A movement which spreads like a storm. An energy which turns into violence, that energy we find in life.
Beautiful Anonymous Tragedy / Bold Action Tool / Boobs Ass Tits / Barbie And Tony / Bien A Toi / Before Anal Time / Better Avoid Tigers / Big Atomic Trust / Break Activist Theater / Bon A Tirer / Best Available Technology / Beef After Tea / Boom Annuel Télégraphique / Buy Anarchistic Toys / Brilliant Anti-Tank / Bel Amour Tyrannique / Bang-A-Thon / Bach Analogic Tralala / Beer And Tonic / Bobby Andrew Together / Back Against Thigh / Blow Anemic Teenagers / Begin A Trend / Bacterial Agnostic Teaser / Berlin Asphalt Town / Bite A Tongue / Bring All Tulips / Bad As That / Belle Aphrodite Tigresse / Be Always There
Bold Action Tool, Bad As That, blood-sucking BAT, both victim and executioner, MCH and her falsely cheerful universe haunt the stage again. MCH is alone. Balanced on her towering stilettos heels, she has no face anymore. She simply is a well-oiled body fighting her chimaeras: slaughtering madness, spinning around. The boxer then enters the ring, starts a mute dialogue with invisible ties. In one corner, the metronomic precision of the athlete training for the fight; in the other corner, a prey succumbing to its multifarious metamorphoses, knocked down by strokes that never hit really.
Looking at the other being out of the question, will they still manage to meet? (Anouk Fürst about BAT)
Maire-Carioline Hominal – MCH trained as a dancer at the Schweizerische Ballettberufschule in Zürich and then at the Rambert School of Ballet and Contemporary Dance in London, where she joined the National Youth Dance Company. Since 1998 she has been performing with many different artists and companies including the Tanztheater Basel, Blanca Li, Gisèle Vienne, Gilles Jobin and La Ribot. She was also gast performer for Humain Writes from William Forsyth and B.O.B from Dick Wong.
Her choreographic works, mainly solos or duos, are: "Fly Girl" (2008), "Yaksu Exit Number 9 "(2010) and "Voice Over" (2011) “BAT“ (2012); in 2009, she co-signed "Duchesses" with François Chaignaud and "Opus 69" a sound performance in collaboration with musician Clive Jenkins. She also collaborated with Peter Rehberg ( Label Mego) on track 8 “Showroomdummies“ and danced and choreographed music video “1968 Holes“ by Cristian Vogel.
Her video work - short films, have been presented in various short films festival, including the festival of film and technology in Modern Art Museum in Washington.
In 2011, she starts working on a series of performances about identity and transformation, including "Patricia Poses by the Pop Machine“ (2011 Bâtie festival de Genève), “Cindy Punch Pop Acid“ and a first collaborative work with her brother the visual artist David Hominal, “Two birds at swim, at birds two swim, at two birds swim,…“ for la Bâtie festival 2012.
co-organizers
with support
