Art stations fundation - by Grażyna Kulczyk


choreography and performance Agnieszka Kryst

artistic coaching Dalija Aćin Thelander

technical realisation and lights Łukasz Kędzierski

production Art Stations Foundation by Grażyna Kulczyk

image Wassily Kandinsky 'Composition VIII'

premieré 12th of December 2015 / Studio Słodownia + 3

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Scores is a solo work derived from the movement practice in which the process of transformation – of constant re-forming, minimalizing and maximizing, subjugating and liberating of the single gesture and emotion – plays the key role. The practice of mindfulness allows us to notice the smallest change and decompose it into the prime factors. Thus it opens the way for conscious manipulations. Continous construction and deconstruction, layering and reducing, reveals the body as a site of never ending play of endless amount of meanings and emotions.

A.Kryst photoW.Rudzki

Agnieszka Kryst graduated from  the Warsaw School of Economics and the Fryderyk Chopin University of Music in Warsaw with a diploma in choreography and dance theory. In 2013 she received a scholarship from the Alternative Dance Academy, Old Brewery New Dance, Poznań, Poland. As dancer and performer she has collaborated with Karolina Kroczak, Tomas Nepsinski, Juan Domìnguez Rojo, Małgorzata Haduch, Noa Shadur and Kondrad Smoleński and lately with Sjoerd Vreugdenhil on Unintended consequences, which premiered during the festival Old Brewery New Dance at Malta 2014 and with Rebecca Lazier on "They might be others", which performed during Malta Festival 2015 . She was a finalist of the choreographic competition New Europe Festival 2013 in Prague, the Czech Republic, where she showcased her solo Pressure and duo, created and performed with Julia Plawgo, Liquid state of mind. She has taken part in Friv Move, an improvisation lab for dancers and musicians, at the Zamek Culture Centre in Poznań.
In 2014 as a dancer and performer, she collaborated in multidisciplinary project "Monadology. A treatise on relationality"  directed by Aleksandra Hirszfeld and choreographed by Marta Ziółek, which premiered in Museum of Modern Art in Warsaw. 
She has taken part in several workshops in Poland and abroad (including courses held as part of the ImPulsTanz Festival in Vienna). She studied with Maria F. Scaroni, Sjoerd Vreugdenhil, Rosalind Crisp, Laura Aris Alvarez, Peter Jasko, Benoît Lachambre, Keith Hennessy, and David Zambrano.